'“Of course, you wrote that for the money,” even a few good friends told Messud, assuming she’d finally taken Hitchens’s advice (or maybe followed her husband’s haute-populist prescriptions). In fact, she says, those short chapters and quippy sentences were all she could manage between feedings of her infants. “I had a memory span about as long as the lines in a school play,” she says. “It was like a book by somebody else. The idea that there was any plan or strategy—” Well, she did try something new. “I had never been very interested in plot,” she says. “I felt I should practice drawing hands.” But gone were the days when she went over her sentences so many times that she memorized them. “It’s actually a good thing not to be able to recite every last line,” she says. “Lighten up a little!”'
Claire Messud on the writing of The Emperor's Children in an interview with Boris Kachka in http://www.vulture.com/2013/04/claire-messud-and-james-wood-on-the-woman-upstairs.html